Tokyo Literary Godfather

Kono Aoi pursed her lips, it turned out that Mr. Fujiwara missed her mother...

Then she listened carefully, she was very grateful to Kei Fujiwara for giving her this opportunity, so she was also happy to do him this little favor.

Kono Aoi closed her eyes and listened for a while without speaking.

Kei Fujiwara saw that she didn't speak for a long time, and just when he was about to hum again, Aoi Kono suddenly opened his eyes, and started playing the piano keys with his hands.

The music of "here we are again" sounded instantly. Fujiwara Kei stood aside and listened quietly. After the song was played, Kono Aoi turned his head and looked at Fujiwara Kei.

Fujiwara Kei nodded: "Yes, that's it."

Kono Aoi said: "Teacher Fujiwara's mother is a very gentle person, I can hear it from this song."

Kei Fujiwara was curious: "What did you hear from this song?"

"It's a pity, there is still a little person's helplessness." Kono Aoi said after thinking carefully.

Fujiwara Kei was startled, he could really hear it.

"By the way, Mr. Fujiwara." Kono Aoi suddenly asked: "Is your daughter a musician?"

The longer Kei Fujiwara comes to this world, the better and better the fit between his soul and this body becomes. The memory of the original owner's body has gradually become a little blurry, but he still vaguely remembers that the original owner's mother can play shamisen. She is not a musician, but she does sing very well.

"It should be counted." Fujiwara Kei said.

Kono Aoi raised her head and asked, "Then why doesn't Auntie teach you an instrument?"

"Well……"

Fujiwara Kei was speechless for a moment, and when he was thinking of something to say to prevaricate, Kono Aoi seemed to remember something and said: "Is it because you can't learn it? Well, it is indeed difficult to learn an instrument, and it is difficult for people with poor talent to learn it. very……"

"..."

No wonder you can't become famous...

Halfway through the words, Kono Aoi suddenly pursed her lips as if remembering something and lowered her head: "I'm sorry, Mr. Fujiwara, I seemed to have said the wrong thing just now. I'm sorry, I'm not very good at talking and I don't have the brain. Too smart..."

"It's okay, you work hard, Kono, you will definitely become popular." Kei Fujiwara smiled and said, "By the way, do you know who recommended you to me?"

"Is it Miss Mizuhara?"

"Do you remember Ohno Nagaharu?"

Kono Aoi opened her eyes slightly: "Is it Ohno-kun? Mr. Fujiwara, you actually recognize Ohno-kun. As expected, talented people make friends with talented people."

"...Does Kono think Changji is very talented?"

"Of course." Kono Aoi nodded vigorously, her eyes full of sincerity, and no pretentiousness could be seen. "Ohno-kun is a film director. The first movie I made my debut was his work. It was he who made me find My career ideal and I am always very grateful to him!”

Aoi Kono added: "Moreover, the movies he makes are very difficult and complicated. People who can make such movies must be extraordinary. Anyway, a stupid person like me can't understand it. Although it is a movie starring myself, but I always fall asleep and I feel ashamed..."

Fujiwara Kei couldn't help laughing, thinking that no wonder Ohno Nagaharu liked her so much. He probably wanted the whole world to be made up of Kono Aoi.

At this time, Kei Fujiwara asked on a whim: "So Kono, do you think I am a talented person?"

Kono Aoi nodded repeatedly: "Of course! I like Mr. Fujiwara's "White Night Journey" and "Anthropological Observation" very much!!"

"Then who do you think is more talented, Ohno-kun or me?"

This dilemma of who is better, father or mother, is difficult to answer. Kei Fujiwara just looked at her stupidity and wanted to tease her. But it’s actually not difficult to answer. Whoever is in front of you is who you say you are.

But what I didn't expect was that after some hesitation, Kono Aoi said sheepishly: "Teacher Fujiwara, I still think... Director Ohno is better. His works feel more profound..."

"Very good... By the way, Kono, if one day you think my work is better than Ohno's, you must remind me..."

After the chat, Kei Fujiwara asked Aoi Kono to write the song into a musical score, and asked someone from the music department to record the demo. After registering the copyright, he handed it over to Hideaki Shibasaki.

After listening to it, Shibazaki Hideaki also liked this piece of music very much. This piece of pure music is very contagious and can easily arouse the audience's emotions. It is also perfectly suitable for a specific section in the play.

…

Arima Keika changed into a white suit and started running inside the shrine, all the way out of the torii gate.

This is the scene at the beginning of the first episode of "The Long Vacation". The heroine Konan held a wedding at a shrine, but she couldn't wait for her fiancé, so she ran to her fiancé's residence.

A group of pigeons were disturbed by Arima Keika's footsteps and flew up in all directions. Shibasaki Hideaki sat behind the monitor and shouted "Ka".

After shouting, Shibazaki Hideaki started to play back the shot he had just taken. After thinking about it, he said: "The shot was very good, but I still have to save one more shot."

Arima Kakiko carried the hem of Bai Muzan and ran to the side to rest, while the staff held a large jar of bread crumbs and spread it on the ground behind the torii gate to attract pigeons.

When he looked up, he saw Kei Fujiwara wandering aside. He suddenly became amused: "You are a screenwriter. If you don't write the script well, why are you here messing around on the set?"

During this period, Fujiwara Kei often followed the scene, mainly because he wanted to see the filming process of Japanese dramas in this era. If he transforms into a producer in the future, he can keep up with the rhythm and not be ignorant.

Since the script was written quickly, Shibasaki Hideaki would not express his opinions and interfere with Shibazaki Hideaki's normal work on set, so no one stopped him from staying on the set. He wandered around the set all day long, like a wild bee and butterfly, and even Sometimes I returned to my old career and started working as a director's assistant.

“A screenwriter who sits in a room all the time can’t write good work.”

"Who said that?" Arima Guixiang asked back. In her impression, screenwriters usually stay in a small hotel and stay locked up. Food, utensils and bathing girls are all delivered directly to the room.

It was the first time I saw a screenwriter like Fujiwara Kei who loves jumping around.

"I said so." Fujiwara Kei raised his thumb and pointed at his chest.

Arima Guixiang rolled her eyes.

"You don't agree?"

"How dare you? You are the main creator." Arima Keixiang said in a strange and sinister tone.

Today's Kei Fujiwara's status is indeed different from what it used to be. As a well-known writer and screenwriter, his status is indeed higher than that of an artist, even a well-known artist like Katsura Arima is no exception.

Fujiwara Kei is also very adaptable to his new identity. He is more or less calm in front of Hoshino Koya and others, but he seems to be laughing and joking in front of Arima Katsura. Arima Guixiang was not so polite in front of him.

At this time a year ago, Fujiwara Kei was still the director's assistant, and Arima Katsura, as a big star, never put on airs in front of him, so Fujiwara Kei was embarrassed to put on the creative airs in front of her, not to mention Arima Katsura gave up on Stars Channel this time The invitation from a veteran producer to pick up his work is quite interesting.

The day's shooting was over, and it was getting late. Arima Keixiang's energy seemed to be drained out. Looking at a small shop selling noodle soup outside the shooting location, she couldn't help but swallow her saliva, but she still held it back.

For actresses, starvation is almost a basic skill, especially since she accidentally let go of a few meals a while ago. Arima Guixiang's belly has become a little rounded, and she has been working hard to lose weight recently.

After getting on the bus, Takahashi Micheng was already waiting in the car and asked: "How are you in the group these days? Are you still getting used to it?"

"It's okay." Arima Keixiang was too tired to talk.

Takahashi Meicheng touched her head lovingly. The car was driving on the highway. At this time, the driver kept looking at the rearview mirror and suddenly said: "Ms. Takahashi, there is a car that has been following us."

Takahashi Micheng frowned, looked back, and then said: "Park on the roadside."

Arima Guixiang's nanny car slowly stopped. Takahashi Micheng got out of the car and waved to a white van not far away. The van slowly drove over and stopped in front of her.

The driver's seat window slowly rolled down, and a middle-aged man wearing a peaked cap greeted him with a smile: "Good evening, Miss Takahashi."

"Inoue-san, Arima-chan and I are just going home to rest. We won't meet anyone anymore, so we don't need to follow you anymore, right?" Takahashi Mikiro said with a smile.

"Of course, of course. We are also planning to go home, we are just on the way with you, otherwise we would not be discovered by you based on our professionalism." The man replied with a smile.

This person's name is Inoue Senzo. He has been a long-term contributor to many entertainment magazines such as "Bunshun Weekly" and has the reputation of being the number one paparazzi in Japan.