British 1986

Chapter 51 Shooting

"Fine."

I was careless.

A mature actress is well-informed and knows everything. She is indeed an Oscar-level Best Actress.

"In addition, you need to add some hand movements to show your nervousness from the side."

"Director Ge, don't worry, I understand."

Meryl narrowed her eyes slightly, and glanced at Allen slightly, like a flirtatious look.

"Okay, let's get ready."

Allen didn't pay attention to Meryl's eyes. The old woman was wearing makeup and had wrinkles on her face, and he didn't bother to look at her face at all.

When two photographers were called, some precautions had to be explained.

"You have to pay attention to the details of her facial expressions and capture her tangled feeling. Do you understand?"

"Understood, Your Excellency!"

"What about you? In this medium shot, you have to pay attention to her gestures. When you see her hands moving, take a close-up of her hand movements for me. Do you understand?"

"understand!"

The two photographers responsible for close-up and mid-range shots were even more nervous when facing Allen. The noble man said whatever he wanted and did not dare to raise any opinions.

"Okay, get ready!"

Allen took out the exclusive gold-patterned trumpet and continued with the next shot!

In just five days, the filming of the scene in the hotel went smoothly, but the overall pace was not too fast.

When shooting during the day, since Allen couldn't see the playback, everything had to be shot based on feeling. He could only take the film back to the manor when work was done in the afternoon, and in his newly built editing room, let the photographer make a rough cut and take the film. Show him again.

This time, it’s time to look at the details.

If a problem is found, the lens will need to be replenished the next day.

This is already an extremely efficient shooting method. Why can Hollywood gather so many crews in such a small place?

Because their place has all the facilities, after the director finished shooting the film that day, he could see the rough cut of the film in the nearby editing room at night.

If you move to a poorer place and don't have all the equipment, then you can truly shoot blindly.

Those directors can only shoot a lot more scenes, and there is no lower limit and they always need to "guarantee one thing."

Whenever a problem is discovered, the backup screen can be enabled, and the consequences of this are.

First, a lot of time is wasted and the entire film production cycle is lengthened, ranging from one or two years to three or four years.

Second, a lot of film is wasted. The cost of these films used for shooting is not cheap. If too much is wasted, the cost of the film will naturally increase as time goes by.

Now, since Allen is shooting nearby, he is not willing to make these upfront investments, so the shooting is much more convenient.

Although it is not as professional as Hollywood, but compared with the crews in other places, his behavior is already very heroic.

As the filming progressed, the mutual familiarity between the actors and crew members increased, and the cooperation of the entire crew gradually became more and more tacit.

Inside the hotel room.

Allen was holding an instrument like a long SLR lens and sitting next to the camera.

This is an optical viewfinder, it’s functional.

It simulates the footage captured by the camera, making it easier for the director to control the footage.

It's better than nothing.

At the end of the double bed, Meryl changed into a slightly sexier pajamas and sat next to the little black duck.

Allen looked at the footage of the two of them and frowned slightly. Today's shooting gave him a very bad feeling, but...

He couldn't tell what was wrong specifically.

"Click!"

Allen stopped filming, stood up and glanced around, finally discovering where this bad feeling came from.

light!

To be precise, it's the brightness of the light.

Today's scene is a bit larger in scale and is considered foreplay. At this time, the light in the room is dark.

In this way, the overall feeling is very fragmented.

Not that ambiguous.

It’s hard to describe this thing in words.

If I have to describe it, why are the lights in many leisure houses and beauty salons small pink lamps?

An experienced driver will know clearly as soon as he sees this kind of light, and his emotions will be mobilized in a timely manner. It is time to go in and rescue the woman who has lost her footing.

But if this kind of place were replaced with green and darker lighting.

No matter how good-looking the young lady standing at the door soliciting customers is, will customers still feel that way when they see this kind of lighting?

The difference here is just the lighting!

"Who arranged the lighting today? Didn't you read the shooting plan? What effect do I want? What kind of shit is this arrangement?"

When he remembered that the shot he had taken for a long time was useless, Allen glanced around angrily, and finally landed on Syphis in the corner, who was trying his best to hide himself in the dark.

"."

Seeing Allen's gaze, Syphis swallowed.

"Master, please wait a moment, I will let them change it right now."

After speaking, Syphis waved his hand fiercely and asked the lighting engineer to quickly change the lighting. These lighting engineers poached from the BBC were a fucking embarrassment to him.

While the lighting engineer went to rearrange the lights, Allen waved to Meryl, then called the two photographers to his side, and began to explain his ideas again.

"During the filming, Meryl, I need you to wear your pajamas as tight as possible. For example, when you sit down, you can put your hands behind your back and straighten the hem of your pajamas before sitting down. Bring out your curves and your breasts need to be firmer.”

In this film, Allen planned to shoot on the sidelines, but absolutely not to reveal it. This is the bottom line.

Although in terms of the general environment, there are also exposed scenes on the Titanic, they are doing it in the name of art.

But they are who they are, and Allen is not going to be so straightforward in this film.

What he wants to play is stream of consciousness, taking the emotional route, that is, teasing.

It's normal, but it's not ordinary!

As long as he raises his mood high enough in version A, Gambia's passenger flow will be huge!

For pure yellow, aren’t there professionals from version B responsible for it?

Who says that if you don’t reveal anything, the audience won’t feel anything after watching it?

So what are they doing with so many censored films?

What you want is emotion, what you want is artistic conception.

Allen is very knowledgeable about photographing women.

When photographing young women.

To capture their youthfulness and vitality, they need to capture their long legs and feet.

It should be shot from bottom to top, slowly and carefully along the feet, giving the audience a sense of hiding behind the screen and unscrupulously looking at every inch of the beautiful woman's skin from bottom to top. feel.

But when it comes to photographing middle-aged women, this is no longer the case.

They are no longer young, and their appearance is no longer their advantage.

This requires changing the angle to capture the key points.

What's the point?

It’s the kind of slight sagging after going through a lot, the kind of slightly bulging lower abdomen, the kind of stretch marks on the lower abdomen, the kind that even if you wear heavy makeup, you don’t have that much aura of worldliness, but you have seen all the world. The sense of vicissitudes of life in the future is something that young women don’t have.

And now that he is abroad, Allen has to go one step further. Not only does he want to take pictures of everything on it, but he also wants to take pictures more directly. He wants to take pictures of some of Meryl's curves. He wants to hide them a little bit. a feeling of.

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